Album – Isolation Drills
Artist – Guided By Voices
Key Players – Doug Gillard, Nate Farley, Tim Tobias, Jim
MacPherson, Robert Pollard
Produced By – Robert Schnapf
Release Date – April 10, 2001
Overview – This is the 12th studio album from
Ohio based indie rock band “Guided By Voices”.
This was the bands first album to crack the Billboard top 200, peaking
at #168. This would be the second, and
final record the band would release on the TVT label.
FDF Comments (aka the songs)
– The 16 track 47 minute record
opens with “Fair Touching”.
is familiar with their sound would be right at home.
Pollard has a quiet delivery, but a deep
baritone rumbles over the ringing guitars.
The band is pretty tight, keeping the guitar fills short and tight with
rhythmic drum fills. "Skills Like This"
has a bit more of a punchy straight at you rock feel, something that could
easily grab a new listener. "Chasing Heather Crazy"
was a moderate radio single for the band.
The guitars are very clean and Pollard is in
fine form and once the full band comes in its laid back pop sense shines.
The track “Frostman” is a very short acoustic
based track (under 1 minute) and is almost like and interlude, but it has a
demo feel to it at the same time.
layer of guitars on the build up of “Twilight Campfighter” make for a rewarding
The band seems locked in tight
and nobody steps on anyone else, allowing the song to stretch out.
Cello is an underlying layer on
“Sister I Need Wine”.
Mostly acoustic guitar based with the haunting drone of cello and a bit
of layers on Pollards vocal track show an unique side of GBV.
“Want One?” rolls right away it feels like it
is in part of the last track.
disjointed as it moves along but continues to challenge the listener in a good
way. "The Enemy"
has another “demo” feel
to it at the very start, but the great guitar riff grabs you and puts you right
back where you want to be...in a happy place.
The riff alone will pull you back in time and time again.
“Unspirited” begins with a solo guitar and
Pollard comes in and the call and response vocal verses are a nice touch.
The record is a grower, as it chugs along it
feels like it matures, a band finding its direction. "Glad Girls"
was another track that had a few
Listen for yourself,
and if you can do so without wanting a beer (in a can) and jumping around the
room you are a better person than I.
“Run Wild” is a bit more dark than the prior few songs, with a slugging
guitar, but come the chorus it opens up to another one of the finer tracks on
“Pivotal Film” gives you
that one channel guitar, before the full band comes in.
The bass fills are subtle, but big and sweeping
which is great, and the layers of vocals on the chorus are another nice touch.
“How's My Drinking?” slows it some form the
prior few tracks, which keeps the full mix of the record on point.
Its a longer almost “hook free” track.
An odd name for a track comes in
“The Brides Have Hit Glass”.
One needs to listen to it, to really get the
idea. “Fine To See You” is a quieter track with a piano layer (provided by
Elliott Smith) gives another dimension to GBV.
Wrapping up is “Privately”a track that suits the record well with its
big guitar, tight drumming and bass fills.
A solid closer to a pretty darn solid record.
Where are they now?
The band has had its ups and downs, breaking up, taking breaks etc,
right now they are broken up. For a band that seemingly has and endless output of solo,
side projects you won't need to wait too long to hear something you'd be
FDF Overall Take/Was it worth Dusting Off? - Very much
so. For a casual listener like myself
this could be a jump off point. Its very
accessable and has some great hooks on it that should pull even the stuffiest
of stuffed shirts in. Take a chance,
there is a massive catalog awaiting you! The band released two records in 2014, then called it a day in September...so who knows?!
Links, find out more, follow em and buy!
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