Album – Sacred Fire: Live in South
America
Artist - Santana
Key Players – Jorge Santana –
guitar. Vorriece Cooper – lead and backing vocals. Alex Ligertwood
– lead and backing vocals. Karl Perazzo – timbales, congas, lead
and backing vocals. Raul Rekow – congas, percussion, backing
vocals. Walfredo Reyes – drums and percussion. Myron Dove –
bass, backing vocals. Chester Thompson – keyboards, backing
vocals. Carlos Santana – guitar, lead vocals, backing vocals and
percussion.
Produced By – Carlos Santana and
Chester Thompson
Release Date – October 19, 1993
What caused me to blow off the dust? -
I heard a track from Santana on a classic rock station recently and
decided I wanted to go back and check his stuff out more. This one
just reached to me first for some reason.
Overview – This is a live album
recorded at various locations and was also released as a long form
live concert DVD. Santana has been writing and performing since the
late 1960's. He has sold over 90 million albums worldwide and is
considered one of the greatest living guitar players. Even with his
massive discography, this was only his second live album to be
released. In 1999 Santana was again brought to the forefront when he
released the widely popular “Supernatural” album. Along with
various collaborators it would go to be his most successful release
to date.
FDF Comments (aka the songs) – This
is a pretty long record. Close to 80 minutes for the 13 tracks. It
all opens with “Angels All Around Us (Introduction)”. This is
much like the band “tuning up” with a lot of audience in the
background. The good part is the mix sounds good right from the
start, and the sound from Carlos is great. Carlos speaks to the
audience in Spanish. Right away we head to “Vive La Vida (Life is
For Living)” with the salsa infused groove from Santana. The
percussion instruments are right up and the bass from Dove rises out
of that. There is a “lot” going on with the various timbales and
congas as well as the Thompson fed keyboard sections. There are many
folks singing, but that just adds to the festive feel of the track.
Each member seems to sway in and out of solos. Of course this is a
Carlos affair, so you are going to get a trademark soaring solo.
“Esperando” is much more “calm” that the previous track. A
bit more focused on the keyboards at the start. The vocals harmonies
are nice and Dove continues to lay a solid foundation on the bass.
Reyes also seems to lead the percussion players with his simple, yet
rhythmic tempo. The vocalists later reach to the audience for a
large call and response on the song. Carlos is quick to take the
lead back and has a tight solo. Dove and Thompson lead the charge as
“No One To Depend On” starts. Dove has some big slap bass fills
and Carlos really works to take it all off. The intro is solid and
the band eases back some as the verses begin, but whenever given the
shot the percussion all rumbles out. They are fun to listen, when
the all take off and seem to work as one. The big one two punch of
“Black Magic Woman/Gypsy Queen” follows. The band stretches this
over eight minutes long. Carlos just soars on the intro, as
expected. Thompson is laid back, while Perazzo, and Rewkow seem to
have octopus arms, hitting everything in reach. It is nearly
impossible to sit still and listen to this track. Either your toes
are tapping or you've strapped on your air guitar. Its okay..go
ahead. I swear I hear him tease “Paint in Black” as well. The
band just goes on a mission and everything really takes off. This is
one very tight band that has found its groove. The fire keeps going
as the staple “Oye Como Va” comes. The Tito Puente penned tune
gets all the full glory. Need an argument for one of the finest
guitar players ever? Look no further. “Samba Pa Ti” is a little
more laid back track than we've been getting and Carlos is okay with
his “softer” side, but after a bit the instrumental track really
blossoms. Another stunning showcase. Dove and Thompson are the
focus as “Guajira” begins. This is really a solid showcase for
Thompson as he gets an extended section on the piano and the band is
happy to play second fiddle if you will. A bit more in the track
after Carlos has his first run the percussion section all fires off
and then Carlos comes back around. You can still hear the work that
Thompson does for the duration, which is great since everyone seems
to build up and up. “Make Somebody Happy” has a quiet intro with
just some light notes from Carlos, but mostly a keyboard. Carlos
speaks to the audience and the band comes in. Its a slower track and
no one person really stands out until Carlos has his solo, but then
everything seems to come back to what it was. We kick it up again on
“Toussaint L'Overture”. Carlos flies out of the gate and
everyone is right there to keep pace. Dove finds his slot, and the
timbales are just cooking too. Your hands almost hurt just listening
to the tempo and ferocity at which this is played. The workout
continues as the band starts up “Soul Sacrifice/Don't Try this at
Home”. Percussion reigns supreme before Dove comes in and we
really get cooking. The track ebbs and flows from calm to frantic.
Honestly though, when the band gets moving..look out. The extended
dueling percussion portion is really great. One of the most well
know (and personal favorites) follows as “Europa” soars off the
speakers. One word...Sustain. That is all. The collection ends
with “Jo-Go-Lo-Ba” and rowdy annual festivcal like track that is
a perfect closer.
Where are they now? - Santana is still
writing and performing live. In 2013 he will take up a residency in
Las Vegas.
FDF Personal Comments (aka the Live
experience) – I have seen Santana on two occasions. The first was
August 13, 1995 at the Comcast Center. We had pretty close seats and
Jeff Beck was actually the support act. It was a tight fun show.
The second time was July 25, 1997 at Comcast again. Rusted Root
shared the stage with Santana at this show. This was one of the
earliest shows I also recorded. I haven't listened to it in years.
Maybe I should.
FDF Overall Take – For a new, or
casual fan this is a pretty solid collection. The full band is very
good and there are few “down” moments. It might be lacking in
the hits that some newer fans would be looking for, but it is pretty
cheap and easy to track down. You should check it out.
Links
Official Site
Curious? Check out some MUSIC!
No One To Depend On
Oye Como Va
Europa (not from this set, but a great live version)
Disclaimer – I am just a music fan.
Feel free to comment about something that may be written incorrectly
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